Publications
FIONA MAGOWAN
2019. 'Resonance, Resilience and Empathy in Music Production with Asylum Seekers in Australia, 7, 1, p. 98-112 15.
Magowan, F. and H. Donnan. 2019. 'Introduction: Sounding and Performing Resistance and Resilience', 7, 1, p. 1-10.
Magowan, F. and J. Donaghey 2018. Music Bridge and Trainer of Trainers' 2017 Report. URL available at accessed 6 June 2020.
2018. ‘Sensing the Street: The Power and Politics of Sound and Aurality in a Northern Australian Rhythmscape’. In S. Reily and K. Brucher (eds.), The Routledge Companion to the Study of Local Musicking. Routledge: Taylor & Francis Group.
2018. ‘Song as Gift and Capital: Intercultural processes of indigenization and spiritual transvaluation in Yolngu Christian music’. In M. Ingalls, M. Swijghuisen Reigersberg and Z. Sherinian (eds.), Making Congregational Music Local in Christian Communities Worldwide. Routledge: Taylor & Francis Group, (Congregational Music Studies Series).
2018. ‘Cycles of Integration and Fragmentation: Changing Yolngu-Balanda Sentiments of the 'Good Life' in Northern Australia’. In C. Gregory and J. Altman (eds.), The Quest for the Good Life in Precarious Times: Ethnographic Perspectives on the Domestic Moral Economy. Canberra: ANU Press. Pp. 139-62. (Monographs in Anthropology Series, 24).
2016. Leiden: Brill. (ed. with Carolyn Schwarz).
2013. Rochester: University of Rochester Press (ed. with Louise Wrazen).
2007. Oxford: James Currey Press.
PEDRO REBELO
2018. Pedro Rebelo and Rodrigo Cicchelli Velloso, P. ‘Participatory Sonic Arts: the Som de Maré project - towards a socially engaged art of sound in the everyday’ in ed. Simon Emmerson.
2014. Schroeder, F. and Rebelo, P. “Distributing Sounding Art: Practices in Distributing Sound” in Truax, B. and Cobussen, M. Routledge.
2014 Hickmann, F. and Rebelo, P. “Improvisation, Indeterminacy and Game-Mediated Participation in Network Music Performance” in Schroeder, F. and Ó hAodha, M. ed. Soundweaving: Writings on Improvisation. Cambridge Scholars Publishing ISBN 1-4438-5344-5.
Creative Practice
Som da Maré (2014). Participative Sound Art Project in the Maré Favelas, Muse da Maré Rio de Janeiro and Museu de Arte Moderna (MAC) Niterói, Brazil
BEVERLEY MILTON-EDWARDS
2021. "We are the ones who are impatient", Improvising Resistance and Resilience in Jordanian Hip Hop and Rap, in Daniel Fischlin and Eric Porter (eds) Sound Changes, Improvisation and Transcultural Difference, Michigan: University of Michigan Press, 2021, 978-0472-132423
2016. London: Routledge.
2011. Polity. (Third edition)
2010 B. Milton-Edwards and S. Farrell. . Cambridge: Polity.
JULIE NORMAN
2018. “The Mobility Myth: Risk and Resilience of Refugee Youth in the MENA Region.” Forced Migration Review.
2018. ‘Five myths about Palestine’s youth activists – debunked.’ 18 May.
2015. eds. Maia Carter Hallward & Julie M. Norman. London: Polity Press.
2011. eds. Maia Carter Hallward and Julie M. Norman. New York: Palgrave MacMillan.
2010. London: Routledge.
STEFANIE LEHNER
2019. ‘From Traumatism to Promise in Stacey Gregg’ Shibboleth (2015) and Abbie Spallen’s Lally the Scut (2015).’ In The Promise of Peace: The Good Friday Agreement 20 years On, eds. Cillian McGrattan and Stefanie Lehner (Manchester: Manchester University Press).
2019. ‘Reconciliation and the Politics of Friendship in post-Troubles Literature.’ In The New Irish Studies: Twenty-First-Century Critical Revisions, ed. Ed. Paige Reynolds. (Cambridge: Cambridge University Press, 2019 (forthcoming).
2018 ”Troubling Victims: Representing a New Politics of Victimhood in Northern Ireland on Stage and Screen’. In: , eds. Charles Armstrong, David Herbert and Jan Erik Mustad. Basingstoke: Palgrave Macmillian, 2018. 89-108.
‘Performing Belfast: Stewart Parker’s Northern Star (1984) and Pentecost (1987)’. In: Boundaries, Passages, Transitions: Essays in Irish Literature, Culture and Politics in Honour of Werner Huber, ed. Hedwig Schwall. Trier: Wissenschaftlicher Verlag Trier, 2018. 43-54.
2018 ‘Divided Memory in Belfast: Authorization, Recognition and ‘ In: Geteilte Städte in Literatur und Film [Divided Cities in Literature and Film], eds. Stephanie Schwerter. Heidelberg: Universitatsverlag Winter, 2018. 185–196.
2013. 23.3: 278-290.
2013. 47: 100-117.
2013. ‘The Irreversible & the Irrevocable: Encircling Trauma in Contemporary Northern Irish Literature’. ed. Oona Frawley. Syracuse: Syracuse University Press. 272 - 292.
JIM DONAGHEY
2018. ‘The Punk Anarchisms of Class War and CrimethInc, Journal of Political Ideologies (forthcoming)
2018. ‘Punk and Religion in Indonesia’, in Andreas Häger (ed.), London: Bloomsbury Academic
2018. Donaghey J. and Jian Xiao, ‘Punk and Resistance in Indonesia and China’ in , Jian Xiao, London: Palgrave MacMillan
2018. ‘Dances with Agitators. What is “Anarchist Music”’, in the Uri Gordon and Ruth Kinna (eds), London: Routledge
2018. ‘The Sparrows’ Nest Library and Archive (interview)’, , 4th June
2017. Donaghey, J. and Marjaana Jauhola, ‘Researching “Punk Indonesia” – Marjaana Jauhola in interview with Jim Donaghey’, special issue
2017. ‘Shane Greene. Punk and Revolution: 7 More Interpretations of Peruvian Reality’ book review, Anthropological Forum, 27:3, pp. 283-284
2017. ‘Doing Research in “Punk Indonesia”: notes towards a non-exploitative insider methodology’, Punk & Post-Punk, 6:2, pp. 291-314
2017. ‘Punk and Anarchist Squats in Poland’, , 1, pp. 4-35
2015. ‘“Shariah Don’t Like It …?” Religion and Punk in Indonesia’, Punk & Post-Punk, 4:1, pp. 29-51 (plus the editorial introduction to the volume, with Francis Stewart, pp. 3-7)